Note: Click on the “playlist” icon on the top left corner of the video to select individual panels.
Day 1: Future Forward
Case Study: Fruitvale Station
In a conversation with Fruitvale Station director and writer, Ryan Coogler, and lead actress Melanie Diaz, the director discusses what inspires his work, and what’s up next …
More and more filmmakers and producers are choosing to circumvent the traditional distribution system for a more dynamic, economical, and creative approach to getting their films seen. Call it Direct-to-Fan, Creative Distribution, D.I.Y. or Self-Release — what matters most is that before you head down this road, you better watch …
Short interviews with the heads of some of the most exciting new companies such as Dylan Marchetti (Variance Films) and Josh Braun (Submarine Entertainment) working in independent film & media today. Hear about their work, and the ways they are working to make change for independent media makers. The panel …
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Gary Hustwit explains how twitter can transcended self-promotion.
There we were, my Producer Alex Reinhard and I, straight off the plane from California to LGA. Pulling up in front of us was the M60 bus that would take us to the fabled NY subway. Three M60’s later, we were finally able to board amidst the pushing and shoving …
Summit of independent creative producers hosted by MoMA, Indiewire, and Zipline Entertainment in December 2009.
I’m very fortunate to be friends with many accomplished independent film producers–people whose films have screened at the best festivals, won significant awards, gotten picked up by major distributors, earned healthy gross receipts, …
Video Village, Indie-Style
Not every director is suited for low-budget indie filmmaking, and that’s OK if you’re Terrence Malick or David Fincher. But chances are, you’re not…or not yet, anyway. I get a fair number of calls from biggish directors and producers who are having trouble raising money for …
Jordan Passman (scoreAscore.com) interviews Sue Devine, Senior Director, Creative Services, Film/TV for ASCAP in NYC.
Passman: What is ASCAP? What do they do and how can they be a resource to filmmakers?
Devine: ASCAP is America’s leading performing rights organization. We’re a membership association owned and run by our more than 420,000 …