by Justin Ferrato on October 21, 2013
Note: Click on the “playlist” icon on the top left corner of the video to select individual panels.
Day 1: Future Forward
Case Study: Fruitvale Station
In a conversation with Fruitvale Station director and writer, Ryan Coogler, and lead actress Melanie Diaz, the director discusses what inspires his work, and what’s up next …
Members
by Jordan Passman on May 11, 2012
Music supervisors are a tremendous resource for any type of media project. This interview is dedicated to displaying their value in our current industry. Carrie Hughes may very well be the QUEEN music supervisor for reality television.
She has worked on such TV Shows as The Sing Off, Fashion Star, The Hills, The Hard Times of RJ …
by Jordan Passman on January 19, 2012
Jordan Passman (scoreAscore.com) interviews Sue Devine, Senior Director, Creative Services, Film/TV for ASCAP in NYC.
Passman: What is ASCAP? What do they do and how can they be a resource to filmmakers?
Devine: ASCAP is America’s leading performing rights organization. We’re a membership association owned and run by our more than 420,000 …
by Dolly Turner on December 1, 2011
Here are cliff notes for music licensing that will help you secure the ideal music for your phenomenal film, plan in advance, manage your budget!
Why you should care: You’ve worked hard to create a great film! Music does make a difference; think of your favorite soundtrack (maybe The Godfather) and how it …
by Jordan Passman on October 11, 2011
1. Hire a professional, and choose carefully! If you have the budget, call a top agency and hire John Williams…I mean, he really is the best! He did the theme for Star Wars! Unfortunately, for 99.9% of filmmakers today, (and those who aren’t Steven Spielberg) this is not …