Jeremy Boxer (Creative Director of Vimeo), Ryan Koo (Director of Manchild), and Marc Schiller (CEO of BOND) discuss the success of your film can depend on how much you promote it, and promotion is a lot easier when you have things to promote. Learn about creating and circulating captivating content …
Dave Grohl’s debut film, “Sound City”, was one of the best received docs at this year’s Sundance and SXSW Film Festivals. It’s also one of the better self-distribution case studies of the year—the film has topped the iTunes charts since debuting. How did they do it? And if they …
It’s all about The Benjamins, The Bucks, and The Chedda’ in this first-ever roundtable debate about the state of hybrid funding in independent film. We’ll stay focused on tax implications for crowdfunders, soft money options for producers, and the emergence of new online equity opportunities. Our lively experts will further …
The Securities and Exchange Commission (“SEC”) has finally proposed, for comment, new Regulations for Crowdfunding to implement the requirements of the Jumpstart Our Business Startups Act (“JOBS Act”), enacted on April 5, 2012. More than one year overdue, the SEC has released a 585-page comprehensive report with its proposed rules …
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Day 1: Future Forward
Case Study: Fruitvale Station
In a conversation with Fruitvale Station director and writer, Ryan Coogler, and lead actress Melanie Diaz, the director discusses what inspires his work, and what’s up next …
As this year’s Envision Conference approaches, the IFP is excited to screen Steve Hoover’s Sundance-winning documentary Blood Brothers at the DGA on opening night on April 10th. The film follows Rocky Braat, a former graphic designer who moved to India after meeting a group of HIV/AIDS orphans. Not only are …
The Jumpstart Our Business Startups Act (the “JOBS Act”) was enacted on April 5, 2012. It allows small businesses to enter into equity-based crowdfunding for raising up to one million dollars, without the usual burdensome requirements currently in place. These rules should be in place by early 2013.
Summit of independent creative producers hosted by MoMA, Indiewire, and Zipline Entertainment in December 2009.
I’m very fortunate to be friends with many accomplished independent film producers–people whose films have screened at the best festivals, won significant awards, gotten picked up by major distributors, earned healthy gross receipts, …