[flv:https://s3.amazonaws.com/IFP_Videos_2010/10_Fundraising_Parties.flv 580 240]
Jason Orans (Producer, Night Catches Us) on how fundraising parties can help draw in investors.
From the 2010 Script to Screen Conference.
[flv:https://s3.amazonaws.com/IFP_Videos_2010/10_Finding_Audiences_Through_New_Platforms.flv 580 240]
Paul Rachman, Co-Founder, SLAMDANCE FILM FESTIVAL, on when in the filmmaking process to consider trans-media elements.
From the 2010 Script to Screen Conference.
[flv:https://s3.amazonaws.com/IFP_Videos_2010/10_Films_Made_Collectivelly.flv 580 240]
Paul Rachman, Co-Founder, SLAMDANCE FILM FESTIVAL, on why networking is essential for writers who want to get their screenplays produced.
From the 2010 Script to Screen Conference.
[flv:https://s3.amazonaws.com/IFP_Videos_2010/10_Embracing_MultiPlatforms.mp4.flv 580 240]
Tamir Muhammad, Director, TRIBECA ALL ACCESS, discusses taking the Tribeca Film Festival onto a digital platform.
From the 2010 Script to Screen Conference.
[flv:https://s3.amazonaws.com/IFP_Videos_2010/10_Dev_Slate_Diversification.flv 580 240]
Jenny Schweitzer, Head of Production, VOX3, on why it is crucial for filmmakers and production companies to have a diverse slate of projects in development.
From the 2010 Script to Screen Conference.
[flv:https://s3.amazonaws.com/IFP_Videos_2010/10_Criticism_development.flv 580 240]
Jonathan Shukat, Production/Development Executive, PALMSTAR ENTERTAINMENT, discusses why screenplay notes are important, and how he feels that writers should react to them.
From the 2010 Script to Screen Conference.
[flv:https://s3.amazonaws.com/IFP_Videos_2010/10_Connecting_to_Investors_through_Festivals.flv 580 240]
Paul Rachman, Co-Founder, SLAMDANCE FILM FESTIVAL, on how screenwriters can use contest/festival recognition to boost their careers.
From the 2010 Script to Screen Conference.
[flv:https://s3.amazonaws.com/IFP_Videos_2010/10_Avoiding_Discouragement.flv 580 240]
Gordy Hoffman, Founder of the Blue Cat Screenplay Competition, on the imperfect nature of the script selection process, and why writers shouldn’t take rejection to heart.
From the 2010 Script to Screen Conference.