[flv:https://s3.amazonaws.com/IFP_Videos_2010/10_Passion_commitment.flv 580 240]
Susan Lewis, (Producer, BIG PITA LIL PITA PRODUCTIONS) on why it is a necessity for writers to be passionate about and committed to the projects they choose to work on.
From the 2010 Script to Screen Conference.
[flv:https://s3.amazonaws.com/IFP_Videos_2010/10_Opening_to_Criticism.flv 580 240]
Paul Rachman, Co-Founder, SLAMDANCE FILM FESTIVAL, on how hard it can be for young writers to embrace criticism.
From the 2010 Script to Screen Conference.
[flv:https://s3.amazonaws.com/IFP_Videos_2010/10_Multiplatform_and_Generations.flv 580 240]
Rachel Chanoff, SUNDANCE SCREENWRITERS’ LAB, on why the public’s focus is shifting towards multiplatform products, and why this focus should be freeing for writers.
From the 2010 Script to Screen Conference.
[flv:https://s3.amazonaws.com/IFP_Videos_2010/10_Making_Cold_Souls.flv 580 240]
Sophie Barthes (Writer/Director) details input that she received from outside sources while developing her project, Cold Souls.
From the 2010 Script to Screen Conference.
[flv:https://s3.amazonaws.com/IFP_Videos_2010/10_Good_screenplays_in_right_hands.flv 580 240]
Christina Hodson, Director of Development, CURIOUS PICTURES, on ways around “no unsolicited manuscript” policies.
From the 2010 Script to Screen Conference.
[flv:https://s3.amazonaws.com/IFP_Videos_2010/10_Finding_Audiences_Through_New_Platforms.flv 580 240]
Paul Rachman, Co-Founder, SLAMDANCE FILM FESTIVAL, on when in the filmmaking process to consider trans-media elements.
From the 2010 Script to Screen Conference.
[flv:https://s3.amazonaws.com/IFP_Videos_2010/10_Films_Made_Collectivelly.flv 580 240]
Paul Rachman, Co-Founder, SLAMDANCE FILM FESTIVAL, on why networking is essential for writers who want to get their screenplays produced.
From the 2010 Script to Screen Conference.
[flv:https://s3.amazonaws.com/IFP_Videos_2010/10_Criticism_development.flv 580 240]
Jonathan Shukat, Production/Development Executive, PALMSTAR ENTERTAINMENT, discusses why screenplay notes are important, and how he feels that writers should react to them.
From the 2010 Script to Screen Conference.