[flv:https://s3.amazonaws.com/IFP_Videos/08_Moby_TempScore.flv 580 240]
Musician Moby gives advice on the kinds of songs that filmmakers should and shouldn’t put into their temp scores.
From the 2008 Independent Filmmaker Conference.
[flv:https://s3.amazonaws.com/IFP_Videos/08_Moby_Licensing.flv 580 240]
Moby offers an example of why contacting musicians directly can prove more successful than trying to license their music through record labels.
From the 2008 Independent Filmmaker Conference.
[flv:https://s3.amazonaws.com/IFP_Videos/08_Moby_Gratis.flv 580 240]
Musician Moby on his website (www.moby.com), which contains over 100 songs that are free for independent filmmakers to use in their films.
[flv:https://s3.amazonaws.com/IFP_Videos/08_Mickie_SalesAgent.flv 580 240]
Charlotte Mickie, Foreign Sales Agent, E1 Entertainment, gives an overview of her job description.
From the 2008 Independent Filmmaker Conference.
[flv:https://s3.amazonaws.com/IFP_Videos/08_McKnight_Time.flv 580 240]
Tracy McKnight discusses proper time management for a music supervisor working on an independent film.
From the 2008 Independent Filmmaker Conference.
[flv:https://s3.amazonaws.com/IFP_Videos/08_McKnight_Supervisor.flv 580 240]
Tracy McKnight, Music Supervisor, maps out the steps that she takes when starting a project.
From the 2008 Independent Filmmaker Conference.
[flv:https://s3.amazonaws.com/IFP_Videos/08_McKnight_Realistic.flv 580 240]
Tracy McKnight, Music Supervisor, on how to stay within budget when building a soundtrack for an independent feature.
From the 2010 Independent Filmmaker Conference.
[flv:https://s3.amazonaws.com/IFP_Videos/08_Kujawski_Presales.flv 580 240]
Peter Kujawksi, International Sales, Focus Features, explains a formula that he uses to consider a project’s Foreign Pre-Sales potential.
From the 2008 Independent Filmmaker Conference.